Using Graduated ND Filters in the Field

The fundamental challenge of landscape photography is dynamic range. The sky is often several stops brighter than the foreground, especially at sunrise and sunset. Your eyes handle this effortlessly. Your camera does not. Graduated neutral density filters solve this problem at the point of capture. What They Do A graduated ND filter is dark on one half and clear on the other, with a transition zone between them. You position the dark portion over the bright sky and the clear portion over the darker foreground.

Exposure

Photographing Snow Scenes Without Grey Mush

Snow confuses cameras. That clean white blanket that your eyes see as pure and bright shows up as dull, dingy gray in photographs. Every photographer encounters this, and many assume their camera isn’t performing well. The camera is working exactly as designed — the problem is that camera meters are designed around a specific assumption that snow violates. Why Snow Turns Gray Camera light meters assume that every scene averages to a medium tone — roughly 18% gray.