Video Tutorials
Getting Uncomfortably Close: How Ultra-Wide Lenses Unlock a Different Kind of Landscape Image
There’s a specific frustration I keep running into on coastal shoots. I find a strong foreground element, a piece of weathered rock or a tide pool with real texture, and I want to connect it to a dramatic sky without sacrificing sharpness at either end of the frame. A 16mm or 24mm gets me close but not quite there. The compression still feels slightly safe. What I actually need is to get uncomfortable, to push the lens right into the scene and let the geometry do the heavy lifting.