Golden Hour or Blue Hour for Portraits? What a NYC Workshop Taught Me About Shooting Both in the Same Evening
I’ve spent two decades chasing light across high desert, alpine tundra, and volcanic coastline. Portraits aren’t my primary work. But light is, and lately I’ve been asking myself a harder version of a question I thought I’d already answered: not just when to shoot, but how differently I should be working when the same location shifts from golden to blue. I kept defaulting to golden hour out of habit, packing up before blue hour ever fully arrived.