The One Compositional Skill That Separates Forgettable Landscape Photos From Ones That Stop People Cold
There’s a problem I keep running into when I look back at my own archives. I’ll pull up a shot from some ridge in the Cascades at golden hour, technically clean, well-exposed, and feel almost nothing. The light was real. I was there. But the image doesn’t pull anyone in. It just sits there. After twenty years behind the lens, I’ve come to understand that technical competence is the floor, not the ceiling.