How I Use Camera Raw to Rescue Underexposed Landscape RAWs (A Step-by-Step Breakdown)
There’s a specific kind of RAW file that sits in every landscape photographer’s catalog. It’s the one that looks nearly unusable on first glance - deeply shadowed, murky in the midtones, shot that way on purpose because the sky was on the edge of blowing out and you had no choice. I have hundreds of them. For years I treated files like that as near-losses, something to fix with a shrug and a heavy hand on the exposure slider.