What Two Decades Behind a Lens Taught Me About Instagram and the Soul of Landscape Photography

What Two Decades Behind a Lens Taught Me About Instagram and the Soul of Landscape Photography

Every few months, someone in one of my workshops asks me whether it’s even worth posting on Instagram anymore. They’ve spent hours editing a shot, written a thoughtful caption, and watched it collect fourteen likes while some heavily filtered snapshot of a foggy pier racks up thousands. I never have a clean answer, because the truth is complicated. That’s exactly why I spent an evening watching Mark Denney work through this question in his video, Watch the full tutorial on YouTube.

Beyond the Rose: Finding Extraordinary Beauty in Overlooked Flora

Beyond the Rose: Finding Extraordinary Beauty in Overlooked Flora

The Misconception About Floral Photography When I first started exploring nature photography seriously, I assumed flower photography would be my easiest entry point. After all, the subject matter arrives pre-packaged with inherent beauty. Unlike wildlife that bolts at your approach or landscapes that demand perfect timing with weather and light, flowers simply exist—stationary, obliging, already gorgeous. What could possibly be difficult about that? I’ve since learned how wrong that assumption was.

The One Thing Missing From Your Landscape Photography (And It's Not What You Think)

The One Thing Missing From Your Landscape Photography (And It's Not What You Think)

There’s a particular kind of stillness that settles in when you haven’t picked up your camera in weeks. Not the good kind, the meditative pre-dawn quiet I’ve chased across central Oregon for two decades. The other kind. The kind where the bag sits in the corner and you walk past it without feeling much of anything. I’ve been there more times than I’d like to admit, and I’ve watched students hit that same wall in my workshops, often blaming their gear or their location or the weather.

When Epic Stops Working: Rediscovering Quiet Light in the Field

When Epic Stops Working: Rediscovering Quiet Light in the Field

There’s a version of this problem I know embarrassingly well. After twenty years of waking before dawn and standing in cold rivers waiting for the light to do something worth photographing, I noticed something uncomfortable about myself: I’d stopped getting excited about ordinary mornings. Not bad mornings. Just ordinary ones. Soft overcast, no wind, no drama. I’d look at the scene, feel nothing, and start running through excuses to pack up early.