Landscape photography from the field

Exposure Settings

Shooting Snow: What a Winter Day in North Yorkshire Taught Me About Working in White
Video Tutorials

Shooting Snow: What a Winter Day in North Yorkshire Taught Me About Working in White

There is a particular kind of cold that gets into your hands about twenty minutes into a snow shoot, right around the time you’re convinced you’ve nailed the composition and your fingers have stopped cooperating with your focus ring. I’ve stood in that cold more times than I can count, from the Cascades to the coast of Oregon, and I still find snow one of the most technically tricky and emotionally rewarding conditions to shoot in.

Why I Shoot Blue Hour Instead of Golden Hour (And How to Get It Right)
Video Tutorials

Why I Shoot Blue Hour Instead of Golden Hour (And How to Get It Right)

There’s a moment every evening when most photographers are already packing up their gear. The sun has dropped below the horizon, the golden light is gone, and the show feels over. For the first few years I shot landscapes seriously, I was one of those people. I’d nail golden hour, feel satisfied, and start the hike back to my car. Then a mentor of mine told me something that stuck: the mountain doesn’t care about your schedule.

Why the Mountain Wins Every Time (And How to Stop Fighting It)
Field Techniques

Why the Mountain Wins Every Time (And How to Stop Fighting It)

There’s a quote I’ve carried with me for twenty years. Early in my career, I was complaining to a mentor about a shoot that had gone sideways. Bad weather, wrong light, three hours of driving for nothing. He looked at me and said, “The mountain doesn’t care about your schedule.” I laughed at the time. Now I think about it on almost every shoot I do. Mountains are the most humbling subject in landscape photography.

Chasing Light and Storm: The Art of Weather Photography
Landscape Photography

Chasing Light and Storm: The Art of Weather Photography

Chasing Light and Storm: The Art of Weather Photography There’s a particular kind of silence that comes just before a storm rolls across open country. I’ve stood in that silence more times than I can count, tripod planted firmly in increasingly damp earth, watching the light transform from gold to silver to something altogether more ominous. Weather photography demands patience, technical skill, and a willingness to be uncomfortable. But the images it yields—those have changed how I see landscapes entirely.