Landscape photography from the field

Exposure Techniques

Block the Sun With Your Finger: A Dead-Simple Trick for Cleaner Sunset Exposures
Video Tutorials

Block the Sun With Your Finger: A Dead-Simple Trick for Cleaner Sunset Exposures

Shooting directly into the sun is one of those things I keep telling myself I’ll figure out properly, and then I get to the location, the light starts doing something extraordinary, and I just start firing frames and hope for the best. After twenty years of this, I have better instincts than I used to, but the two core problems never go away: the sky is always brighter than the foreground, and pointing your lens at the sun is an invitation for flare that can quietly destroy an otherwise strong image.

Why Your Forest Photos Look Flat (And What the Light Is Actually Doing)
Field Craft

Why Your Forest Photos Look Flat (And What the Light Is Actually Doing)

The Problem Isn’t Your Lens I pulled into the trailhead at 4:45 a.m. last October, coffee still hot, hat on, headlamp cutting through the dark between the Doug firs. By the time first light filtered through the canopy, I had my tripod set and my breathing slowed. The scene was extraordinary. Fog sitting low through the understory, backlit sword ferns, a shaft of gold cutting through at maybe a 20-degree angle.

How to Shoot Dramatic Landscapes in Fiordland: Field Notes From William Patino's Approach
Video Tutorials

How to Shoot Dramatic Landscapes in Fiordland: Field Notes From William Patino's Approach

There’s a question I come back to every few years, usually when a season has gone flat and I’m grinding through shoots on autopilot. What actually excites me about this work? Not what I think I should be photographing, not what performs well in print sales, but what pulls me out of bed before the alarm even goes off. I’ve been doing this for twenty years, and I still need reminding.

Chasing Light in the High Country: Mastering Mountain Photography
Landscape Photography

Chasing Light in the High Country: Mastering Mountain Photography

There’s a particular silence that settles over a mountain before dawn—a stillness that makes you acutely aware of why you’ve dragged yourself out of bed at 3 a.m. You’re standing at 10,000 feet, fingers numb despite your gloves, watching the sky transition from absolute black to deep indigo. This is when mountain photography truly begins, long before the light touches the peaks. Timing Is Everything I’ve learned that mountain photography is fundamentally about light, and mountain light is unforgiving.

Chasing Light and Storms: The Art of Weather Photography
Landscape Photography

Chasing Light and Storms: The Art of Weather Photography

The Moment Before the Storm There’s a particular quality to light that appears just before a storm rolls in—a heavy, metallic grayness mixed with unexpected golden rays breaking through the clouds. I’ve learned to recognize this moment, and when it arrives, I drop everything to get into position. It’s not reckless; it’s the culmination of years spent studying weather patterns, understanding my camera’s capabilities, and accepting the calculated risks that come with this pursuit.