Video Tutorials
Balancing Color and Light at Sunset: What William Patino's Framework Taught Me About a Problem I Thought I'd Solved
I’ve been shooting sunsets for two decades. I’ve stood in sagebrush fields outside Bend at temperatures that make your fingers stop working, waited out clouds that looked promising and then didn’t deliver, and driven to locations on a gut feeling more times than I can count. You’d think by now I had sunset composition dialed in. But a few weeks ago I was reviewing a batch of golden hour images and something felt off.