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When the Light Lies: What Thomas Heaton's Iceland Mistake Taught Me About Reading a Scene
There’s a particular kind of hurt that comes from watching the sky explode in the wrong direction. You’ve read the clouds, done the math, committed to a composition — and then the light does exactly what it wants, which is nothing like what you wanted. I’ve been there more times than I can count, standing on a cold shore with my camera pointed at a wall of grey while something spectacular unfolds behind me.