Shooting Yosemite in Winter: How to Find Compositions When Everything Looks Perfect
There’s a particular kind of paralysis that hits you in a place like Yosemite in winter. You step out of the car, snow on the ground, frost still clinging to the trees, and the light doing something almost unfair across the valley walls. You raise the camera and then… freeze. Not from the cold. From the overwhelming abundance of it all. Every direction is a photograph. Which means, practically speaking, you have nothing.