Landscape photography from the field

Travel Photography

Two Bags, No Compromises: What a Pro Packs for a Serious Photo Trip
Video Tutorials

Two Bags, No Compromises: What a Pro Packs for a Serious Photo Trip

I’ve stood in the dark more times than I can count, headlamp on, stuffing gear into a bag while trying not to wake anyone up at 4am. The question of which bag, and what goes inside it, is never really settled. You think you’ve figured it out, and then you book a flight, and suddenly the whole system falls apart. Airlines get stricter, weight limits shrink, and that bag you loved for driving to a trailhead becomes a liability at the gate.

How to Work a City at Sunrise: Field Techniques from the Banks of the Seine
Video Tutorials

How to Work a City at Sunrise: Field Techniques from the Banks of the Seine

There’s a particular kind of pressure that comes with shooting in a famous location. Paris, the Eiffel Tower, the Seine at sunrise. Every angle has been photographed ten thousand times, and the temptation is to either give up on originality entirely or freeze up trying to find it. I’ve felt that same pressure standing on the rim of Crater Lake or at the base of Smith Rock right here in Oregon.

How to Shoot a City You've Never Seen Before: Lessons from Punta Arenas
Video Tutorials

How to Shoot a City You've Never Seen Before: Lessons from Punta Arenas

There’s a particular kind of discomfort that comes with showing up somewhere you don’t know with a camera in your hand. No scouted locations, no golden hour coordinates saved in PhotoPills, no local knowledge whatsoever. I’ve felt it plenty of times. You’re standing on a street corner squinting at rooftops, trying to reverse-engineer a composition out of pure improvisation. Most photographers I know either freeze up or default to tourist snapshots.

Best Tripods for Landscape Photography in 2026
Gear Reviews

Best Tripods for Landscape Photography in 2026

Best Tripods for Landscape Photography in 2026 I’ve spent enough mornings standing in cold mountain air, watching light transform the landscape, to know that a tripod is never just a tripod. It’s the foundation of intention. It’s what separates the snapshot from the image you’ve genuinely composed. A good tripod becomes invisible—you stop thinking about it and start thinking about the world in front of your lens. A bad one reminds you of its existence every time the wind gusts or you adjust your framing.